The Rocky and
Bullwinkle Show is a humorous cartoon of the late 1950’s and early 1960’s
that pokes fun at the overdone short films of the silent era. By exaggerating
the already prominent characteristics of the “good guys” and the “bad guys” in cartoon
versions of classic silent film conflicts like “women tied to the railroad
tracks,” Rocky and Bullwinkle vignettes
satirize the campy films of the early 1900’s.
Snipely Whiplash, the ever-elusive villain of the Dudley
Do-Right mini-series in Rocky and
Bullwinkle, is always dressed in hat and topcoat while sporting a dastardly
moustache that over identifies him as a bad guy. The women in the cartoons are
always helpless, and the hero arrives to save her in the nick of time. The
audience knows she will be saved, and the cartoon manages to recreate the
iconic conflict while shortening the entire “women tied to the railroad”
conflict to a few seconds. Because viewers are so familiar with the conflict,
the cartoon doesn’t have to show an oncoming train to build suspense, the train
is assumed within the conventions of the melodrama.
Silent era films rely on body movement and dramatic physical
altercations to keep their audience entertained. They utilize slapstick humor,
doing their best to create comedy with sound. Fortunately for Rocky and Bullwinkle, their cartoons
could utilize more satirical humor through the use of narration and dialogue,
while mimicking the physical humor of silent films with ridiculous set ups,
such as when Bullwinkle walks off the cliff. Dudley Do-Right is constructed to
resemble the average silent film hero who saves the damsel in distress or
defeats the bad guys in a completely unrealistic or nonsensical way.
Both the cartoons and the silent films resemble stage plays
in the way the actors portray their characters. Because plays are seen from
audience seated far away, actors cater to their audience by using large
gestures and body movements to create action and interest. Without sound and
with only basic film technology, silent film stars overacted to keep their
films engaging. Cartoons also utilized this melodramatic style for comedic
effect in shows such as Rocky and
Bullwinkle.
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