Clips from the earliest of short films
and cartoons prove to parallel each other in many ways. Some of these
similarities are more blatant than others, from the unique physical appearance
and dress of the villain to the exclusively white-skinned characters in each
story. But the cartoon, “Dudley Do Right,” also mirrors many underlying,
not-so-obvious themes and ideas present in the black and white film. The women
in both railroad clips prove to be completely helpless in defending themselves.
While being tied down, the woman in the black and white film simply cooperates,
flailing only slightly in an attempt to escape. This proves to reflect the time
period when the film was created, a time in which woman were viewed as
physically (and in many ways socially) inferior to men, unable to fend for
themselves and completely subject to a fate imposed by a man.
The black-and-white film and the cartoon
do use satire to poke fun at the role of men at the time. Both the man from the
black-and-white film, who wakes up by falling in the mud, and Dudley from the
cartoon prove to be quite futile in completing their mission. Right from the
start, we see the man from the black-and-white film fall face first into the
mud, while in “Dudley Do Right,” Dudley cannot seem to complete the simplest of
tasks in order to get kicked out of town. While the man attempts to release the
woman from her bondage, his dog alerts the train to slow down and eventually
cut the chains. In a similar manner, throughout the entirety of “Dudley Do
Right,” Dudley cannot seem to do anything right and is often dependent on his
horse. The horse “takes one for the team” at the end of the episode,
sacrificing himself during the explosion in order for Dudley to pursue the
villain (who ultimately escapes). While the creators are not attempting to demonstrate the competence of
a dog and a horse, per se, the use of animals is effective in portraying the
men as incapable.
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